In Luis Buñuel’s “Belle de Jour,” a housewife slips out during the day to an elite brothel, where she’s able to explore kinky fantasies she wouldn’t dare suggest to her husband. It’s one of the most daring films ever made, not so much because of anything it overtly depicts as what this controversial classic reveals about the infinitely complicated psychology of human sexuality.
Director Josephine Mackerras’ “Alice” shares that rebel spirit, thrusting its demure leading lady into some of those same shadows. But unlike Catherine Deneuve’s masochistic character, young married mother Alice Ferrand isn’t trying to feed any particular fetish when she starts work for a high-class Paris brothel. Rather, she discovers this hidden world quite by accident the day her credit cards stop working, after calling phone numbers she finds among her husband’s private records. She agrees to become an escort since...
Director Josephine Mackerras’ “Alice” shares that rebel spirit, thrusting its demure leading lady into some of those same shadows. But unlike Catherine Deneuve’s masochistic character, young married mother Alice Ferrand isn’t trying to feed any particular fetish when she starts work for a high-class Paris brothel. Rather, she discovers this hidden world quite by accident the day her credit cards stop working, after calling phone numbers she finds among her husband’s private records. She agrees to become an escort since...
- 5/15/2020
- by Peter Debruge
- Variety Film + TV
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