By Raymond Benson Normal 0 false false false En-us X-none X-none
Director Norman Jewison was on a roll in the late 1960s. After a handful of well-received small romantic comedies, he directed The Cincinnati Kid (1965) featuring Steve McQueen as a Depression-era poker player, followed by the Oscar Best Picture-nominated The Russians are Coming, the Russians are Coming (1966), and then the brilliant In the Heat of the Night (1967), which did win the Best Picture Oscar and landed Jewison a Director nomination.
His next project became a heist picture/romance, the story of which was pitched to him by Alan R. Trustman, a lawyer with no screenwriting experience. Jewison was intrigued, so, according to the excellent interview with the director that appears as a supplement on Kino Lorber’s new Blu-ray edition of The Thomas Crown Affair, he gave Trustman a crash course in how to write a movie script. When it was completed,...
Director Norman Jewison was on a roll in the late 1960s. After a handful of well-received small romantic comedies, he directed The Cincinnati Kid (1965) featuring Steve McQueen as a Depression-era poker player, followed by the Oscar Best Picture-nominated The Russians are Coming, the Russians are Coming (1966), and then the brilliant In the Heat of the Night (1967), which did win the Best Picture Oscar and landed Jewison a Director nomination.
His next project became a heist picture/romance, the story of which was pitched to him by Alan R. Trustman, a lawyer with no screenwriting experience. Jewison was intrigued, so, according to the excellent interview with the director that appears as a supplement on Kino Lorber’s new Blu-ray edition of The Thomas Crown Affair, he gave Trustman a crash course in how to write a movie script. When it was completed,...
- 5/22/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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