A Practical Guide to Distributing Your Film Internationally: Who Else is Out There in the International Digital Space Beyond the “Big Guns”?Reprinted with permission of The Film Collaborative (Tfc), guest blog post by Wendy Bernfeldimage credit: Tim Green aka atoach
This is reprinted with the permission of The Film Collaborative (Tfc) and Wendy Bernfeld of Rights Stuff.
As members of Tfc’s Advisory Board, Wendy and I have worked together in the past and our respective worlds of traditional and digital distribution are moving more closely together, particularly now during Covid-19 times. We felt this blog would benefit you, filmmakers and rightsholders, to explore new distribution potential beyond Netflix, Amazon, YouTube, etc.
Caveat: As this extensive article is a snapshot in time and the article was targeted mainly to English/USA indie festival-type and arthouse films and docs, rather than to series, mainstream films or other more niche/genre-specific categories like kids,...
This is reprinted with the permission of The Film Collaborative (Tfc) and Wendy Bernfeld of Rights Stuff.
As members of Tfc’s Advisory Board, Wendy and I have worked together in the past and our respective worlds of traditional and digital distribution are moving more closely together, particularly now during Covid-19 times. We felt this blog would benefit you, filmmakers and rightsholders, to explore new distribution potential beyond Netflix, Amazon, YouTube, etc.
Caveat: As this extensive article is a snapshot in time and the article was targeted mainly to English/USA indie festival-type and arthouse films and docs, rather than to series, mainstream films or other more niche/genre-specific categories like kids,...
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