“The look evolved considerably from that of season two,” Armando Salas reveals in his exclusive interview with Gold Derby (watch the video above) about being the primary director of photography on the third season of “Ozark.” He continues, “We’re getting to the Navarro cartel in Mexico to the Byrdes’ elevated place in society, so it was important to not get stuck making the same decisions. As the story evolves and grows, the look of the show should grow with it.”
SEEour chat with “Ozark” production designer David Bomba.
Salas contends at the Emmys this year for Best One-Hour Cinematography with the episode “Boss Fight,” of which the opening five minutes will play for the nominating panel if it advances from the initial popular vote of the cinematographers’ branch of the Television Academy. Salas explains, “I chose ‘Boss Fight’ mainly because there were so many different looks in that episode.
SEEour chat with “Ozark” production designer David Bomba.
Salas contends at the Emmys this year for Best One-Hour Cinematography with the episode “Boss Fight,” of which the opening five minutes will play for the nominating panel if it advances from the initial popular vote of the cinematographers’ branch of the Television Academy. Salas explains, “I chose ‘Boss Fight’ mainly because there were so many different looks in that episode.
- 6/4/2020
- by Riley Chow
- Gold Derby
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