A woman can be anything in a movie: a silent witness to men’s wisdom, flat-chested, large-bosomed, skinny, chubby, thick as a plank or clever, a muscular beast or a screaming victim, sword-wielding hero or a coward, name it. But two things she can never be – hairy, or above 30 and desired sexually by a younger man. And a man can be 30+ and just about anything, without limitations in his looks or character. Except – he falls for a woman who is older than him, and who actually doesn’t care about the ticking clock. In real life – this is even stranger than fiction.
Even if we look back at groundbreaking movies such as Hal Ashby’s Harold and Maude” (1971), or Mike Nichols’ “The Graduate” (1967) – relationships between very young men and mature women are doomed to an end, either by introducing a clear sharp end (death) or by turning it into a female perversion,...
Even if we look back at groundbreaking movies such as Hal Ashby’s Harold and Maude” (1971), or Mike Nichols’ “The Graduate” (1967) – relationships between very young men and mature women are doomed to an end, either by introducing a clear sharp end (death) or by turning it into a female perversion,...
- 6/8/2020
- by Marina D. Richter
- AsianMoviePulse
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