Three or so years ago, a new generation of directors, many women, were beginning to break out in Catalonia. That was no flash in the pan.
Following on Nely Reguera’s “María (and Everybody Else)” and Carla Simón’s Berlinale Generation Kplus pic “Summer 1993,” first features by Diana Toucedo (“Thirty Souls”), Meritxell Colell (“Facing the Wind”), Neus Ballús (“The Plague”) and Celia Rico (“Journey to a Mother’s Room”) have set the film festival circuit alight, garnering bullish reviews and a slew of prizes. Many of these women are now on to their second or third features: Simón with “Alcarrás,” Ballús (“The Odd-Job Men”), Colell, Rico (“The Little Loves”), Pilar Palomero (“La maternal”) and Reguera (“The Grandson”), among others.
Now, women producers are taking center stage: Belén Sánchez at Un Capricho Producciones (Lucía Alemeny’s “The Innocence”), Patricia Franquesa at Gadea Films (Laura Herrero’s “La Mami”) are succeeding. Many...
Following on Nely Reguera’s “María (and Everybody Else)” and Carla Simón’s Berlinale Generation Kplus pic “Summer 1993,” first features by Diana Toucedo (“Thirty Souls”), Meritxell Colell (“Facing the Wind”), Neus Ballús (“The Plague”) and Celia Rico (“Journey to a Mother’s Room”) have set the film festival circuit alight, garnering bullish reviews and a slew of prizes. Many of these women are now on to their second or third features: Simón with “Alcarrás,” Ballús (“The Odd-Job Men”), Colell, Rico (“The Little Loves”), Pilar Palomero (“La maternal”) and Reguera (“The Grandson”), among others.
Now, women producers are taking center stage: Belén Sánchez at Un Capricho Producciones (Lucía Alemeny’s “The Innocence”), Patricia Franquesa at Gadea Films (Laura Herrero’s “La Mami”) are succeeding. Many...
- 6/22/2020
- by Emilio Mayorga
- Variety Film + TV
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