Directed by former competitive swimmer Pascal Plante and featuring a two-time Olympic athlete in the title role, “Nadia, Butterfly” qualifies as both a sports movie and not-a-sports movie — which is to say, Plante’s aloof, intermittently engaging second feature takes a backstage look at a defining moment in a swimmer’s career, but it does so in a way that violates nearly all the rules of the game.
For starters, the film opens with the final race of Canadian swimmer Nadia Beaudry (Katerine Savard), at the Tokyo 2020 Olympics, rather than building up to the big event and hitching drama on the question of whether she wins or loses. The genre has trained audiences to watch sports movies the way they do the events themselves, driven by the suspense of the outcome. Here, we know relatively early on that Nadia will go home with a medal, but not the best one,...
For starters, the film opens with the final race of Canadian swimmer Nadia Beaudry (Katerine Savard), at the Tokyo 2020 Olympics, rather than building up to the big event and hitching drama on the question of whether she wins or loses. The genre has trained audiences to watch sports movies the way they do the events themselves, driven by the suspense of the outcome. Here, we know relatively early on that Nadia will go home with a medal, but not the best one,...
- 8/5/2020
- by Peter Debruge
- Variety Film + TV
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