When he came onboard as artistic director at the Deauville American Film Festival in 1995, Bruno Barde went about retooling the event.
He started by introducing the official competition — to showcase new voices in American independent cinema before a predominantly French jury — and thought to make his vision for the festival clear with an unmistakable visual.
“I saw us as a French perspective on American cinema,” Barde says. “So it’s no accident that the poster [that year] featured a bridge linking Deauville to New York.”
In planning this year’s poster, which features a pensive Kirk Douglas in profile, the festival chief wanted to convey a similar set of intentions.
“When Kirk passed away [in February], I knew we had to honor him. We put him on the poster, with that look towards the future, because he was a man who always looked to the future, who was also a kind of bridge.
“Deauville...
He started by introducing the official competition — to showcase new voices in American independent cinema before a predominantly French jury — and thought to make his vision for the festival clear with an unmistakable visual.
“I saw us as a French perspective on American cinema,” Barde says. “So it’s no accident that the poster [that year] featured a bridge linking Deauville to New York.”
In planning this year’s poster, which features a pensive Kirk Douglas in profile, the festival chief wanted to convey a similar set of intentions.
“When Kirk passed away [in February], I knew we had to honor him. We put him on the poster, with that look towards the future, because he was a man who always looked to the future, who was also a kind of bridge.
“Deauville...
- 9/3/2020
- by Ben Croll
- Variety Film + TV
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