At one point in The Book of Vision, a young woman spins around in ecstasy, arms spread wide like a whirling dervish, before falling to the grass. The D.P. has the camera eagerly follow her at waist height. It’s shot Steadicam and the lens is wide-angle. The cinematographer is Jörg Widmer, who recently shot A Hidden Life and has worked behind the camera in varying capacities in each of the director Terrence Malick’s films since The New World. At a glance, this spinning girl could have been plucked from any one of those movies. A closer look reveals it’s not a girl exactly but a subtly digitized image of one, as are the clouds and the trees.
The Book of Vision is the debut feature of Carlo Hintermann, a director whose work has never strayed too far from the reclusive Texan’s sphere. At the age...
The Book of Vision is the debut feature of Carlo Hintermann, a director whose work has never strayed too far from the reclusive Texan’s sphere. At the age...
- 9/5/2020
- by Rory O'Connor
- The Film Stage
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