Uberto Pasolini goes back many years, and several films, with the Venice Film Festival, starting with 1995’s black comedy “Palookaville,” which he produced. A quarter of a century later, he’s back with Horizons entry “Nowhere Special,” his third film as director, which follows in the footsteps of previous Lido visitors “Machan” (2008) and “Still Life” (2013). Although perhaps best known for his 1997 British box-office hit “The Full Monty,” which he developed and produced as an ensemble crowdpleaser, Pasolini’s own films tend to be intimate modest character studies, and “Nowhere Special” is no exception.
A spare and intimate drama set in contemporary Belfast, it stars British rising star James Norton as John, a 35-year-old window cleaner, who is bringing up his four-year-old son Michael alone, after the child’s Russian mother abandoned them. When we meet him, John has been diagnosed with cancer, and, with only a few months left to live,...
A spare and intimate drama set in contemporary Belfast, it stars British rising star James Norton as John, a 35-year-old window cleaner, who is bringing up his four-year-old son Michael alone, after the child’s Russian mother abandoned them. When we meet him, John has been diagnosed with cancer, and, with only a few months left to live,...
- 9/9/2020
- by Damon Wise
- Variety Film + TV
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