From Death in Venice to Don’t Look Now, the city has always been a melancholy, haunted place, but the desire for culture and socialising could triumph over this year’s very real fear
In 1912, prompted by a visit to the Venice Lido, Thomas Mann wrote a tale about ruinous desire in the face of a mysterious epidemic. Death in Venice told of cramped streets that reeked of disinfectant, the imperilled tourists on the seafront and a great man of letters destroyed by his love for a boy. Luchino Visconti later turned it into a film: Dirk Bogarde in a white suit and specs prowling the Grand Hotel des Bains.
While Mann’s old hotel still exists, occupying a prime parcel of real estate, its glory days are long behind it. The plan was to convert it into luxury apartments, but the renovation has stalled. Each time I have a spare 20 minutes,...
In 1912, prompted by a visit to the Venice Lido, Thomas Mann wrote a tale about ruinous desire in the face of a mysterious epidemic. Death in Venice told of cramped streets that reeked of disinfectant, the imperilled tourists on the seafront and a great man of letters destroyed by his love for a boy. Luchino Visconti later turned it into a film: Dirk Bogarde in a white suit and specs prowling the Grand Hotel des Bains.
While Mann’s old hotel still exists, occupying a prime parcel of real estate, its glory days are long behind it. The plan was to convert it into luxury apartments, but the renovation has stalled. Each time I have a spare 20 minutes,...
- 9/10/2020
- by Xan Brooks
- The Guardian - Film News
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