With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
Bisbee’ 17, Kate Plays Christine, and Actress (Robert Greene)
Every two years or so, there comes a new Robert Greene film whose beautiful images, fascinating subjects, and thorough investigation of both immediate and surrounding concepts become overrun by the true-false question––what control Greene wields, where the spontaneous and constructed do or don’t collide. His latest, Bisbee ’17, sometimes plays like a provocation towards those assumptions, heavily relying on the reenactment of a horrific, little-known strike against working-class citizens (as our admiring review handily summarizes), parlaying the filmmaker’s strengths for documentary portrait and narrative whats-it into what may be his densest work to date. – Nick N. (full interview)
Where...
Bisbee’ 17, Kate Plays Christine, and Actress (Robert Greene)
Every two years or so, there comes a new Robert Greene film whose beautiful images, fascinating subjects, and thorough investigation of both immediate and surrounding concepts become overrun by the true-false question––what control Greene wields, where the spontaneous and constructed do or don’t collide. His latest, Bisbee ’17, sometimes plays like a provocation towards those assumptions, heavily relying on the reenactment of a horrific, little-known strike against working-class citizens (as our admiring review handily summarizes), parlaying the filmmaker’s strengths for documentary portrait and narrative whats-it into what may be his densest work to date. – Nick N. (full interview)
Where...
- 9/11/2020
- by Jordan Raup
- The Film Stage
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