Michel Franco has made a name for himself over the years with Daniel and Ana, After Lucia, Chronic, and April’s Daughter, all of which can be described as miserablist torture tests for audiences. Taking a page from Michael Haneke but only possessing a fraction of the depth, Franco has somehow tormented his way upward in the festival circuit, earning accolades and awards (including a Best Screenplay win at Cannes). Now he returns with New Order, by far his most ambitious and political effort, and it comes as no surprise that a director who peddles in extremes provides both his best and worst work to date.
The film opens at a wedding for a wealthy family, taking place at a house that coincidentally shares some resemblance to the mansion in Bong Joon-ho’s Parasite. A quick series of exchanges show the bride Marianne (Naian Gonzalez Norvind), her well-connected father, greedy mother,...
The film opens at a wedding for a wealthy family, taking place at a house that coincidentally shares some resemblance to the mansion in Bong Joon-ho’s Parasite. A quick series of exchanges show the bride Marianne (Naian Gonzalez Norvind), her well-connected father, greedy mother,...
- 9/14/2020
- by C.J. Prince
- The Film Stage
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