There are many villains in Gerard Bush and Christopher Renz’s feature debut “Antebellum,” but none quite as vivid as Jena Malone’s nefarious plantation owner Elizabeth. A nasty piece of work in her own right, the character also emblematizes the forces of oppression that power the film’s narrative. Built upon a consciously convoluted timeline, complete with editing misdirection and a chopped-up storyline, “Antebellum” follows Janelle Monáe as both successful modern author Veronica Henley and antebellum-era slave Eden, presenting the wholly different experiences of two Black women, until the film mashes them together in unpredictable ways.
Suffice to say that Veronica and Eden intersect (to get into deeper detail would spoil the film), and while they are bonded by a litany of shared problems, none feel as immediate as the evil Elizabeth. It’s the kind of role that seems scary for a performer: Not only is she such a monster,...
Suffice to say that Veronica and Eden intersect (to get into deeper detail would spoil the film), and while they are bonded by a litany of shared problems, none feel as immediate as the evil Elizabeth. It’s the kind of role that seems scary for a performer: Not only is she such a monster,...
- 9/16/2020
- by Kate Erbland
- Indiewire
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