To deliver director Antonio Campos’ “The Devil All the Time,” based on Donald Ray Pollock’s acclaimed 2011 novel set against a rural backdrop during the period between World War II and the Vietnam War, cinematographer Lol Crawley aimed to show a town out of step with the times.
“We had this idea that the rural environment of the film was slower to catch up [with modern advancements] and should feel like an Andrew Wyeth painting,” Crawley says.
The film, which premieres Sept. 16 on Netflix, revolves around Arvin (Tom Holland), a young man who runs a gantlet of corrupt clergy, husband-and-wife serial killers (Jason Clarke and Riley Keough) and a crooked sheriff (Sebastian Stan) in the tiny town of Knockemstiff, Ohio.
Crawley and Campos infused the scene that introduces the church — a location that serves as a focal point of the story — with a dark and moody feel filled with earth tones, one that matches the period aesthetic.
“We had this idea that the rural environment of the film was slower to catch up [with modern advancements] and should feel like an Andrew Wyeth painting,” Crawley says.
The film, which premieres Sept. 16 on Netflix, revolves around Arvin (Tom Holland), a young man who runs a gantlet of corrupt clergy, husband-and-wife serial killers (Jason Clarke and Riley Keough) and a crooked sheriff (Sebastian Stan) in the tiny town of Knockemstiff, Ohio.
Crawley and Campos infused the scene that introduces the church — a location that serves as a focal point of the story — with a dark and moody feel filled with earth tones, one that matches the period aesthetic.
- 9/18/2020
- by Jazz Tangcay
- Variety Film + TV
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