In recent years, the plights of migrants have yielded many grim cinematic portraits, from “Mediterranea” to “Fire at Sea.” Given that track record, writer/director Ben Sharrock’s “Limbo” provides a welcome alternative. In this quirky, deadpan portrait of a Syrian refugee trapped in an asylum center in the remote Scottish island chain of the Outer Hebrides, the backdrop often provides the punchline to an ironic joke. Omar (Amir El-Masry), a young Syrian refugee intent on pursuing his musician dreams, gazes out at the vast, empty landscapes with a constant befuddled look that always says: That’s it?
Yet “Limbo” doesn’t have fun at Omar’s expense. Sharrock’s charming and insightful second feature justifies its title by using the droll backdrop to explore how the young man comes to terms with his nomadic status. Guided by El-Masry’s tender, understated performance and a tone that hovers between playful and sincere,...
Yet “Limbo” doesn’t have fun at Omar’s expense. Sharrock’s charming and insightful second feature justifies its title by using the droll backdrop to explore how the young man comes to terms with his nomadic status. Guided by El-Masry’s tender, understated performance and a tone that hovers between playful and sincere,...
- 9/20/2020
- by Eric Kohn
- Indiewire
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