The Notebook is covering the NYFF with an on-going correspondence between critic Doug Dibbern and editor Daniel Kasman.Above: The Monopoly of Violence.Hey, Danny,Great to hear from you. It’s comforting to learn that your own feelings about this year’s festival mirror my own. Like you, I always love the months of September and October because the festival and its press screenings represent, to me, the traditional highpoint for a sense of a cinephile community here in the city: I always feel a rush standing in those long, snaking lines outside the Walter Reade, seeing old friends and acquaintances, waving to each other across that vast auditorium, recognizing the faces of nerds I barely know, and always dumbstruck by the hundreds of faces of other critics and journalists and industry professionals whose faces I’ve never seen before.One thing about those annual reunions I feel most...
- 9/22/2020
- MUBI
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