Jan Oxenberg was a thorn in the nonfiction establishment’s side long before hybrid doc-making was a thing (or even a term). Case in point: Her feature-length (Sundance ’91) debut Thank You and Good Night, a restoration of which will hit the Criterion Channel this week. Though Thank You and Good Night has been described as a “docu-fantasy” it’s also a very real time capsule of sorts. The film takes as its starting point the looming […]...
- 9/24/2020
- by Lauren Wissot
- Filmmaker Magazine - Blog
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