“The rule in ‘Fargo’ is: It doesn’t have to be true, it just have to feel true.”
Noah Hawley, the showrunner, writer, director, and creator of FX’s scripted adaptation, often cites this edict. After all, it’s an important clarification. Each episode of his award-winning anthology starts with the title card, “This is a true story” — even though what follows is not. Just like the film it’s based on, each season of “Fargo” is a work of fiction, but it’s grounded in a distinctly American reality, from the snowy Midwestern plains to the passive-aggressive politeness.
Typically, that truth extends to a simple form of symbolism. Amid the many shady criminals running around “Fargo,” there was always one beacon of light fighting an imminent force of darkness. Police Chief Marge Gunderson (played by Frances McDormand) represents goodness in the Coen brothers’ movie, just as Gaear Grimsrud (Peter Stormare) embodies the encroaching evil.
Noah Hawley, the showrunner, writer, director, and creator of FX’s scripted adaptation, often cites this edict. After all, it’s an important clarification. Each episode of his award-winning anthology starts with the title card, “This is a true story” — even though what follows is not. Just like the film it’s based on, each season of “Fargo” is a work of fiction, but it’s grounded in a distinctly American reality, from the snowy Midwestern plains to the passive-aggressive politeness.
Typically, that truth extends to a simple form of symbolism. Amid the many shady criminals running around “Fargo,” there was always one beacon of light fighting an imminent force of darkness. Police Chief Marge Gunderson (played by Frances McDormand) represents goodness in the Coen brothers’ movie, just as Gaear Grimsrud (Peter Stormare) embodies the encroaching evil.
- 9/27/2020
- by Ben Travers
- Indiewire
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