“What if there’s no such thing as happiness, only moments of not being depressed?” So asks Jane, the paranoid schizophrenic heroine of “Eternal Beauty,” and it’s one of the more thought-provoking lines in Craig Roberts’ earnest but ungainly sophomore feature — a film that itself stumbles upon moments of clarity without ever finding a happy or consistent groove. Making a comedy about mental illness is a tall enough order without the tricky tonal embellishments, filched from influences as disparate as Paul Thomas Anderson and Terry Gilliam, that Roberts has attempted on an otherwise slender script. With an assist from Sally Hawkins’ valiantly committed lead performance, the result occasionally summons the genuinely disoriented perspective of an unstable protagonist, but more often, it’s the filmmaking that seems to spiral out of control.
Despite an impressive best-of-British ensemble that, besides Hawkins’ go-for-broke star turn, includes support from David Thewlis, Billie Piper,...
Despite an impressive best-of-British ensemble that, besides Hawkins’ go-for-broke star turn, includes support from David Thewlis, Billie Piper,...
- 9/30/2020
- by Guy Lodge
- Variety Film + TV
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