For photographer Gregory Crewdson and cinematographer Matthew Libatique, light is the central force of their work. Whether capturing still life or moving images, light structure is essential to their storytelling.
Crewdson who is known for his elaborately-staged, heightened-reality compositions captured his latest work, “An Eclipse of Moths,” which is currently on exhibit at the Gagosian gallery in Beverly Hills through Nov. 21.
Libatique has shot “A Star is Born,” “Black Swan” and “The Prom.”
The two sat down to swap notes about light and how 1955’s “The Night of the Hunter” influenced their work.
How does light come into play for you?
Gregory Crewdson: The central one that I think we both use [to fight off dread] is light. Light is really a redeeming force. I think we both use it to tell stories. I would love to hear you talk about how you use light in terms of a narrative code because it’s different from movies.
Crewdson who is known for his elaborately-staged, heightened-reality compositions captured his latest work, “An Eclipse of Moths,” which is currently on exhibit at the Gagosian gallery in Beverly Hills through Nov. 21.
Libatique has shot “A Star is Born,” “Black Swan” and “The Prom.”
The two sat down to swap notes about light and how 1955’s “The Night of the Hunter” influenced their work.
How does light come into play for you?
Gregory Crewdson: The central one that I think we both use [to fight off dread] is light. Light is really a redeeming force. I think we both use it to tell stories. I would love to hear you talk about how you use light in terms of a narrative code because it’s different from movies.
- 10/26/2020
- by Jazz Tangcay
- Variety Film + TV
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