One of the more interesting periods in the history of Italian cinema is the era of international co-productions that followed neorealism; kicked off by the massive success of MGM
’s 1951 extravaganza Quo Vadis
, the Italian film industry entered a boom age in which the location shooting, social consciousness, and limited resources of neorealism gave way to spectacular sets, glamorous Hollywood stars, and lavish budgets thanks to the country’s abundance of breathtaking scenery and attractive production incentives. One of the most expensive and entertaining of the 1950s historical epics was Ulysses
(1954), a gorgeously photographed and cleverly written adaptation of Homer’s […]
The post Ulysses
, La Strada and Popeye
: Jim Hemphill's Home Video Recommendations, Holiday Edition first appeared on Filmmaker Magazine.