Amongst Abbas Kiarostami’s most critically acclaimed works is his end-of-the-millennium release “The Wind Will Carry Us”. A contemplative piece on existence, it garnered significant festival coverage and awards, including triple glory at Venice, with the Grand Special Jury Prize, the Fipresci Prize and the CinemAvvenire Award.
Four journalists, Keyvan, Ali, Jahan, and Behzad, reach a Kurdish village in Iran. They are not letting their real profession out though, as they pose as production engineers. The real reason of their visit is to record a unique ceremony and report it back to their office at Tehran. Their focus in upon the locals’ mourning rituals that anticipate the death of old people, in this specific case, that of an extremely old woman, probably a centurion and then some. As she refuses to eat food and cannot manage to speak to anyone, the four journalists live idly, awaiting her death.
Four journalists, Keyvan, Ali, Jahan, and Behzad, reach a Kurdish village in Iran. They are not letting their real profession out though, as they pose as production engineers. The real reason of their visit is to record a unique ceremony and report it back to their office at Tehran. Their focus in upon the locals’ mourning rituals that anticipate the death of old people, in this specific case, that of an extremely old woman, probably a centurion and then some. As she refuses to eat food and cannot manage to speak to anyone, the four journalists live idly, awaiting her death.
- 12/18/2020
- by Raktim Nandi
- AsianMoviePulse
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