While it’s annoying to hear people declare that there were “no great films this year” under any circumstances, it’s even more outrageous in 2020 when put into context. Why? Because what we lost during this pandemic wasn’t what’s indelible to the cinematic artform. Seeing theaters close (some permanently) is a horrible tragedy that may reshape how we consume our favorite medium moving forward, but it didn’t destroy the content, creativity, or genius of the product itself. It may have conversely worked to expand our access (via virtual cinemas in support of local theaters and online film festivals moving beyond geographical borders) and prove what it is film fans truly crave: quality over quantity.
What then are those people talking about? What titles did we lose? There are a few that exist on the edge of critical acclaim and box office profits (see A24 holding back three...
What then are those people talking about? What titles did we lose? There are a few that exist on the edge of critical acclaim and box office profits (see A24 holding back three...
- 1/4/2021
- by Jared Mobarak
- The Film Stage
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