One of the first conversations cinematographer Douglas Koch had with director Deepa Mehta was about his using a handheld camera in shooting “Funny Boy,” a coming-of-age story set during the civil war in Sri Lanka.
The plan was to allow complete flexibility as Koch worked with two actors — Arush Nand and Brandon Ingram — playing the role of Arjie from boyhood to adolescence as he discovers his sexual identity. As war rages between the Tamil and the Sinhalese, Arjie is further at risk in a nation where homosexuality is punishable by law. Koch made sure the camera was always motivated by the space the actors were in, and that the performers dictated how the camera moved, not the other way around.
The film was originally targeted as Canada’s foreign-language Oscar entry but was disqualified for containing too much English. Netflix resubmitted the film, which bowed in early December, in the best picture and general categories.
The plan was to allow complete flexibility as Koch worked with two actors — Arush Nand and Brandon Ingram — playing the role of Arjie from boyhood to adolescence as he discovers his sexual identity. As war rages between the Tamil and the Sinhalese, Arjie is further at risk in a nation where homosexuality is punishable by law. Koch made sure the camera was always motivated by the space the actors were in, and that the performers dictated how the camera moved, not the other way around.
The film was originally targeted as Canada’s foreign-language Oscar entry but was disqualified for containing too much English. Netflix resubmitted the film, which bowed in early December, in the best picture and general categories.
- 1/14/2021
- by Jazz Tangcay
- Variety Film + TV
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