It immediately says something about the differences between Jean Cocteau’s brilliant 1928 dramatic monologue The Human Voice — as first put on screen in 1948 by Roberto Rossellini with the immortal Anna Magnani — and Pedro Almodovar’s new version of it starring Tilda Swinton, that the latter features six costume changes within the first six minutes, while the original was content with a single drab bit of wardrobe.
There are few single-character pieces of 20th century theater as mesmerizing and emotionally intricate as Cocteau’s soliloquy in which a woman spends a half-hour on the phone with her lover coping with the devastating news that he’s about to marry someone else. Swinton indisputably belongs in the select group of actresses who could pull this off, but the ever-arresting Spanish director, in his first English-language outing, is preoccupied with other issues as well, notably the notion of the fine, if not (for...
There are few single-character pieces of 20th century theater as mesmerizing and emotionally intricate as Cocteau’s soliloquy in which a woman spends a half-hour on the phone with her lover coping with the devastating news that he’s about to marry someone else. Swinton indisputably belongs in the select group of actresses who could pull this off, but the ever-arresting Spanish director, in his first English-language outing, is preoccupied with other issues as well, notably the notion of the fine, if not (for...
- 1/16/2021
- by Todd McCarthy
- Deadline Film + TV
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