[Editor’s Note: The following review contains spoilers for “WandaVision” Episode 3, “Now In Color.”]
Welcome to the 1970s, now in color! Though the new opening title sequence (courtesy of Kristen Anderson-Lopez and Robert Lopez) stopped short of recreating the iconic “Brady Bunch” three-by-three grid, its rainbow “in color” tag and peppy music set the tone for a Technicolor episode within a spacious, suburban home about to double its occupancy. Yes, the much-anticipated twins are here, and Episode 3 goes delightfully overboard with wacky sitcom shenanigans to make their birth an event to remember. Household objects spin, sprinklers go off, and a very CGI stork wanders through the living room.
But none of these peculiarities are the most notable strange occurrences in “WandaVision.” Episode 3 primarily tracks Wanda (Elizabeth Olsen) as she speeds through a nine-month pregnancy in just a few days, but the Megan McDonnell-penned half-hour shares plenty of hints as to what’s really going on, including our first...
Welcome to the 1970s, now in color! Though the new opening title sequence (courtesy of Kristen Anderson-Lopez and Robert Lopez) stopped short of recreating the iconic “Brady Bunch” three-by-three grid, its rainbow “in color” tag and peppy music set the tone for a Technicolor episode within a spacious, suburban home about to double its occupancy. Yes, the much-anticipated twins are here, and Episode 3 goes delightfully overboard with wacky sitcom shenanigans to make their birth an event to remember. Household objects spin, sprinklers go off, and a very CGI stork wanders through the living room.
But none of these peculiarities are the most notable strange occurrences in “WandaVision.” Episode 3 primarily tracks Wanda (Elizabeth Olsen) as she speeds through a nine-month pregnancy in just a few days, but the Megan McDonnell-penned half-hour shares plenty of hints as to what’s really going on, including our first...
- 1/22/2021
- by Ben Travers
- Indiewire
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