The feature debut by Sweden’s Ernst De Geer has beaten Delphine Girard’s Most Alive and Nathalie Biancheri’s So, Perfect on the podium of projects that piqued the most interest. Of the 18 titles in development that were showcased at the Coproduction Village (organised online from 20-22 January), part of the Industry Village at the 12th Les Arcs Film Festival, it was the Swedish project The Hypnosis that piqued the most interest among international sales agents, co-producers and distributors. The story of the feature debut by Ernst De Geer (who turned heads with the short film The Culture), which he wrote together with Mads Stegger, uses the style of a comedy-drama bordering on the absurd to explore the question of whether it’s really such a good idea to always be yourself. Vera (30) and André (30) are a couple who get the chance to pitch their startup business at a prestigious.
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