With the 25th anniversary of Seven having passed and the 30th anniversary of The Silence of the Lambs upon us in just a few weeks, it wouldn’t be surprising if nostalgia for the serial killer thrillers of the ’90s is now upon us. That makes the arrival of The Little Things, directed and written by John Lee Hancock (The Founder), almost uncanny in its timing.
The film is an unabashed throwback with the visual and narrative cues of the films mentioned above, and others along those lines, like Manhunter and Kyoshi Kurosawa’s Cure, liberally baked into its DNA. With its rich sense of atmosphere, period details–it’s perfectly set in 1990–and formally traditional style, The Little Things (which Hancock says he wrote a first draft for in 1993) is the type of movie that we haven’t seen in a while. It makes its familiar storytelling and character arcs almost seem fresh again.
The film is an unabashed throwback with the visual and narrative cues of the films mentioned above, and others along those lines, like Manhunter and Kyoshi Kurosawa’s Cure, liberally baked into its DNA. With its rich sense of atmosphere, period details–it’s perfectly set in 1990–and formally traditional style, The Little Things (which Hancock says he wrote a first draft for in 1993) is the type of movie that we haven’t seen in a while. It makes its familiar storytelling and character arcs almost seem fresh again.
- 1/26/2021
- by Don Kaye
- Den of Geek
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