The enigma, at the beginning, is that the dog makes no noise. Unless you count the tinkling of his bone-shaped name-tag as he snuffles doggishly around the yard. Neighbors come by, politely, to complain about his whimpering, and his owner acknowledges the problem apologetically, but if he’s noisy, it happens offscreen. It’s that way with a lot of the inferred noise in Argentinian director Ana Katz’s sixth, shortest and strangest film, “The Dog Who Wouldn’t Be Quiet,” a tiny, monochrome miracle of a movie that gives you years of life and change and mystery in 73 calm minutes.
The approach is so unassuming it takes a moment to appreciate the boldness. Shot over the course of several years, as attested to by its roster of five cinematographers who somehow deliver a consistently lovely aesthetic, the film covers a span of time even longer. It presents details so small they belong under a microscope,...
The approach is so unassuming it takes a moment to appreciate the boldness. Shot over the course of several years, as attested to by its roster of five cinematographers who somehow deliver a consistently lovely aesthetic, the film covers a span of time even longer. It presents details so small they belong under a microscope,...
- 2/2/2021
- by Jessica Kiang
- Variety Film + TV
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