From A Werewolf of London to An American Werewolf in London, from The Wolfman (1941) to The Wolfman (2010), and The Curse of the Werewolf and Ginger Snaps in between, lycanthropy has held a peculiarly long-lasting fascination in the popular imagination going back almost a century. Lycanthropy represented — and still represents — primitive, ravenous rage at its most chaotic and destructive, free of social, cultural, or personal constraints. Innovation or subversion, however, has often been in short supply in the sub-genre. All too often, filmmakers have been content to simply tweak over-familiar tropes and conventions, add bucketfuls of blood and gore (when they’re so inclined) to old-school practical effects, and expect audiences eager to escape into one of their favorite sub-genres for 90- or 120-minutes...
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- 2/5/2021
- Screen Anarchy
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