Michael Hoffman, who directed Plummer and Helen Mirren in Tolstoy biopic The Last Station, recalls the actors’ joyful connection and how Plummer turned the script into gold
Christopher Plummer: a fierce yet tender talent who flourished when he was let off the leash
I had been warned not to mention The Sound of Music. This was not going to be easy since, when I was aged six, during a Sunday matinee at the Pinney theatre in Boise, Idaho, I had learned, as Captain von Trapp led his family across the Alps to safety, that you could cry simply because you were happy.
Now, headed toward our agreed-upon Mayfair location, I was about to meet the man who referred to the film that had made him a household name as “S&m” and “The Sound of Mucus”. I should, I thought, keep my memories to myself.
Christopher Plummer: a fierce yet tender talent who flourished when he was let off the leash
I had been warned not to mention The Sound of Music. This was not going to be easy since, when I was aged six, during a Sunday matinee at the Pinney theatre in Boise, Idaho, I had learned, as Captain von Trapp led his family across the Alps to safety, that you could cry simply because you were happy.
Now, headed toward our agreed-upon Mayfair location, I was about to meet the man who referred to the film that had made him a household name as “S&m” and “The Sound of Mucus”. I should, I thought, keep my memories to myself.
- 2/8/2021
- by Michael Hoffman
- The Guardian - Film News
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