The most important decision that Glen Keane made as director of “Over the Moon,” Netflix’s exquisite update of the ancient Chinese Moon Goddess fable, was going with Sony Pictures Imageworks in Vancouver as the animation studio. And he did so primarily because of their Oscar-winning work on “Spider-Man: Into the Spider-Verse.”
“We really benefited by them having just done ‘Into the Spider-Verse,’” Keane said. “They were approaching the subtlety in animation, celebrating a realism in that acting that really was just the best. I built on that whole team’s performance. We leaned heavily into drawing on ‘Over the Moon.'”
In “Over the Moon,” the Disney legend faced his most daunting challenge yet because the level of detail in the character animation was very new to him. But he was immediately drawn to Fei Fei (Cathy Ang), the 12-year-old girl obsessed with building a rocket to the enchanting...
“We really benefited by them having just done ‘Into the Spider-Verse,’” Keane said. “They were approaching the subtlety in animation, celebrating a realism in that acting that really was just the best. I built on that whole team’s performance. We leaned heavily into drawing on ‘Over the Moon.'”
In “Over the Moon,” the Disney legend faced his most daunting challenge yet because the level of detail in the character animation was very new to him. But he was immediately drawn to Fei Fei (Cathy Ang), the 12-year-old girl obsessed with building a rocket to the enchanting...
- 3/1/2021
- by Bill Desowitz
- Indiewire
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