Delicate vignette charts young lovers and their families in Hong Sang-soo’s lightweight but charming drama
Long after Lars von Trier’s Dogme 95 movement has been forgotten, with its tongue-in-cheek commitment to radically low-budget realist cinema, one director is still succeeding in releasing features that are cheaper than student films, composed of people simply talking to each other: in apartments, in restaurants over a lot of alcohol and in the streets with non-actors heedlessly walking past in the background. That director is the South Korean director Hong Sang-soo, who opens this online Berlin film festival with another intriguing and sympathetic vignette: enigmatically entitled Introduction, running at just 66 minutes, despite containing enough backstory detail for a two-hour drama. I’m not sure it is entirely successful, but it demonstrates Hong’s delicate touch in creating films that, like a certain type of short story or poem, suggest more depth and detail...
Long after Lars von Trier’s Dogme 95 movement has been forgotten, with its tongue-in-cheek commitment to radically low-budget realist cinema, one director is still succeeding in releasing features that are cheaper than student films, composed of people simply talking to each other: in apartments, in restaurants over a lot of alcohol and in the streets with non-actors heedlessly walking past in the background. That director is the South Korean director Hong Sang-soo, who opens this online Berlin film festival with another intriguing and sympathetic vignette: enigmatically entitled Introduction, running at just 66 minutes, despite containing enough backstory detail for a two-hour drama. I’m not sure it is entirely successful, but it demonstrates Hong’s delicate touch in creating films that, like a certain type of short story or poem, suggest more depth and detail...
- 3/2/2021
- by Peter Bradshaw
- The Guardian - Film News
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