Research may be the cornerstone of any historically accurate project, but it’s only when artisans know the rules that they can break them. The costume designers behind some of this year’s period films allowed their research to guide them in balancing context with storytelling.
Oscar-winning costume designer Alexandra Byrne immersed herself in the1800s setting of Focus Features’ “Emma” starring Anya Taylor-Joy. It was a time when ladies fashion magazines were just entering circulation; the fashion plates included in each issue were engraved and then hand-colored. As with fabric dye lots, each varied slightly depending on which artist completed the work.
Like those artists, the women of the villages would then reinterpret the designs based on their own sewing skills, finances and tastes. “Twenty women could look at the same fashion plate image and you’d get 20 interpretations,” says Byrne.
But it’s not enough to research magazines of the period,...
Oscar-winning costume designer Alexandra Byrne immersed herself in the1800s setting of Focus Features’ “Emma” starring Anya Taylor-Joy. It was a time when ladies fashion magazines were just entering circulation; the fashion plates included in each issue were engraved and then hand-colored. As with fabric dye lots, each varied slightly depending on which artist completed the work.
Like those artists, the women of the villages would then reinterpret the designs based on their own sewing skills, finances and tastes. “Twenty women could look at the same fashion plate image and you’d get 20 interpretations,” says Byrne.
But it’s not enough to research magazines of the period,...
- 3/4/2021
- by Zoe Hewitt
- Variety Film + TV
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