Oscars are a time capsule. Though pundits may quibble about nominees or winners, one thing is beyond question: The film choices reflect the year in which they were released.
For example, in 1946, “The Best Years of Our Lives” hit a nerve as people were trying to rebuild their lives after WWII. The 1969 “Midnight Cowboy” captured all the sexual confusion, excitement and fear of that tumultuous decade.
This year’s contenders similarly reflect the moment we’re living in: a time of racial tension, gender battles, political wars, health issues and an overriding sense of doubt and isolation. A montage of 2020 film highlights would sum up the year just as accurately as newsreel clips.
Aaron Sorkin’s “The Trial of the Chicago 7” perfectly parallels the current outrage at government lies and manipulations. Like many of the awards contenders, it’s set in the past, but it’s very much concerned...
For example, in 1946, “The Best Years of Our Lives” hit a nerve as people were trying to rebuild their lives after WWII. The 1969 “Midnight Cowboy” captured all the sexual confusion, excitement and fear of that tumultuous decade.
This year’s contenders similarly reflect the moment we’re living in: a time of racial tension, gender battles, political wars, health issues and an overriding sense of doubt and isolation. A montage of 2020 film highlights would sum up the year just as accurately as newsreel clips.
Aaron Sorkin’s “The Trial of the Chicago 7” perfectly parallels the current outrage at government lies and manipulations. Like many of the awards contenders, it’s set in the past, but it’s very much concerned...
- 3/4/2021
- by Tim Gray
- Variety Film + TV
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