“Since studios keep making remakes, why don’t they at least remake them better?” Billy Wilder had a right to ask me that question 20 years ago, since the many remakes of his movies never matched the originals.
The Wilder conundrum seems relevant today when the studios and streamers are announcing more and more remakes. Paramount says it’s developing Love Story, Flashdance and The Parallax View, among others. It is not remaking The Godfather, which went into production 50 years ago. But there are two projects in the works about the making of the movie, and there also is Francis Coppola’s refreshed Godfather III, made in 1990 and re-edited by Coppola now out under his preferred title Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone.
While I share Wilder’s skepticism about the remake business, a case could be made that the entire gangster genre deserves a revisit.
The Wilder conundrum seems relevant today when the studios and streamers are announcing more and more remakes. Paramount says it’s developing Love Story, Flashdance and The Parallax View, among others. It is not remaking The Godfather, which went into production 50 years ago. But there are two projects in the works about the making of the movie, and there also is Francis Coppola’s refreshed Godfather III, made in 1990 and re-edited by Coppola now out under his preferred title Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone.
While I share Wilder’s skepticism about the remake business, a case could be made that the entire gangster genre deserves a revisit.
- 3/4/2021
- by Peter Bart
- Deadline Film + TV
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