The Wolf’s Call director and Quai d'Orsay writer Antonin Baudry: “Bertrand Tavernier was not only a wonderful, unique filmmaker, who made essential images of our history and society.” Photo: Anne-Katrin Titze
When Harry Dean Stanton died in 2017, I reached out to Bertrand Tavernier for a remembrance of the man who starred opposite Romy Schneider in Death Watch (La Mort En Direct). He sent a lovely tribute and wrote to me “Correct The Mistakes”. In 2014, when Bertrand presented his masterpiece Coup De Torchon at Hunter College he told me: “I said to Philippe Noiret, in this film I want you to play each scene without thinking of the scene before or the scene after.” Discussing The French Minister (based on Antonin Baudry's Quai d'Orsay): “I was thinking, as a matter of rhythm, of some of the comedies of Billy Wilder or Jacques Becker. People who were doing films with...
When Harry Dean Stanton died in 2017, I reached out to Bertrand Tavernier for a remembrance of the man who starred opposite Romy Schneider in Death Watch (La Mort En Direct). He sent a lovely tribute and wrote to me “Correct The Mistakes”. In 2014, when Bertrand presented his masterpiece Coup De Torchon at Hunter College he told me: “I said to Philippe Noiret, in this film I want you to play each scene without thinking of the scene before or the scene after.” Discussing The French Minister (based on Antonin Baudry's Quai d'Orsay): “I was thinking, as a matter of rhythm, of some of the comedies of Billy Wilder or Jacques Becker. People who were doing films with...
- 3/28/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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