A young Iranian couple and their baby are the sole occupants of a Shining-style hotel in this effective supernatural thriller
The fundamental creepiness of hotels is the driving force behind this very potent supernatural mystery-thriller from Iranian-American film-maker Kourosh Ahari: the creepiness of their deserted corridors, their stately or shabby lobbies, and their anonymous rooms, whose blankness keeps the secret of their previous occupants.
It’s a creepiness that predates and is independent of Stanley Kubrick’s The Shining, though that’s admittedly an influence here. In modern-day Los Angeles, a young Iranian couple with a baby – Babak (Shahab Hosseini) and Neda (Niousha Noor) – are at a dinner party with friends in an unfamiliar part of town. They are tired and quarrelsome on the way home; Babak is really too drunk to drive, and Neda has lost her licence after an earlier run-in with a traffic cop, so they...
The fundamental creepiness of hotels is the driving force behind this very potent supernatural mystery-thriller from Iranian-American film-maker Kourosh Ahari: the creepiness of their deserted corridors, their stately or shabby lobbies, and their anonymous rooms, whose blankness keeps the secret of their previous occupants.
It’s a creepiness that predates and is independent of Stanley Kubrick’s The Shining, though that’s admittedly an influence here. In modern-day Los Angeles, a young Iranian couple with a baby – Babak (Shahab Hosseini) and Neda (Niousha Noor) – are at a dinner party with friends in an unfamiliar part of town. They are tired and quarrelsome on the way home; Babak is really too drunk to drive, and Neda has lost her licence after an earlier run-in with a traffic cop, so they...
- 3/30/2021
- by Peter Bradshaw
- The Guardian - Film News
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