There’s the germ of a provocative idea in “The Unholy” — namely, what if you took a religious-visitation movie like “The Song of Bernadette” or “The Miracle of Our Lady of Fatima” and turned it into a horror movie? Had the film bothered, or dared, to pursue that notion to the fullest, “The Unholy” might be something other than the standard-issue, priests-versus-demonic-spirits thriller that it is.
You’ve seen this one before, countless times, with its superhero priests and seemingly omnipotent spirits who are somehow powerless against containment prayers and quick-thinking investigative journalists. On top of that, it’s a PG-13 horror movie, which takes excessive gore off the table, pushing the director to replace it with lukewarm jump scares.
The film’s opening sequence, set in 19th-century Massachusetts, offers a woman’s Pov. She’s accused of being possessed, then nailed to a tree and set on fire. The...
You’ve seen this one before, countless times, with its superhero priests and seemingly omnipotent spirits who are somehow powerless against containment prayers and quick-thinking investigative journalists. On top of that, it’s a PG-13 horror movie, which takes excessive gore off the table, pushing the director to replace it with lukewarm jump scares.
The film’s opening sequence, set in 19th-century Massachusetts, offers a woman’s Pov. She’s accused of being possessed, then nailed to a tree and set on fire. The...
- 4/1/2021
- by Alonso Duralde
- The Wrap
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