The arc of the moral universe may bend toward justice, but it needs a little boost here and there. In the case of Black LGBTQ media, a few watershed moments shot through the culture more like a geyser than a sprinkling of incremental change: When “Orange Is The New Black” introduced the force that is Laverne Cox, when “Moonlight” won Best Picture, and when “Pose” premiered on FX.
Heading into its third and final season next month, the New York City ballroom scene drama — set in the late 1980s to early ‘90s — broke records from the jump. Its 2018 premiere marked the most transgender performers as series regulars in scripted television history, and they were all of Black or Latinx descent.
“‘Pose’ was a game-changer. Centering trans women of color in their own stories, in front of and behind the camera, has not only impacted the industry, but impacted communities and saved lives,...
Heading into its third and final season next month, the New York City ballroom scene drama — set in the late 1980s to early ‘90s — broke records from the jump. Its 2018 premiere marked the most transgender performers as series regulars in scripted television history, and they were all of Black or Latinx descent.
“‘Pose’ was a game-changer. Centering trans women of color in their own stories, in front of and behind the camera, has not only impacted the industry, but impacted communities and saved lives,...
- 4/16/2021
- by Jude Dry
- Indiewire
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