Montreal filmmaker Emanuel Licha’s new film—which won the juried award for best Canadian feature at Hot Docs—takes its title from the nickname Haitians have given the Toyota Land Cruiser, a popular mode of transportation among the humanitarian aid organizations ubiquitous in the country since the 2010 earthquake.
In “Zo Reken,” which means “shark bones,” a four-by-four becomes a kind of mobile confessional, as a driver navigates through barricades, demonstrations, and daily life of the Port-au-Prince streets while passengers urgently discuss the state of the nation, the president, neocolonialism, and humanitarian aid.
“Emanuel Licha uses cinematic metaphor to evoke the dignity of a people and the human trap that is the international aid industrial complex,” wrote the jury in the official statement about its decision. “[The film’s] minimalist controlled tableaus and carefully chosen conversations provide an unflinching gaze at the violent, often self-defeating consequences of foreign aid.”
In a conversation Friday,...
In “Zo Reken,” which means “shark bones,” a four-by-four becomes a kind of mobile confessional, as a driver navigates through barricades, demonstrations, and daily life of the Port-au-Prince streets while passengers urgently discuss the state of the nation, the president, neocolonialism, and humanitarian aid.
“Emanuel Licha uses cinematic metaphor to evoke the dignity of a people and the human trap that is the international aid industrial complex,” wrote the jury in the official statement about its decision. “[The film’s] minimalist controlled tableaus and carefully chosen conversations provide an unflinching gaze at the violent, often self-defeating consequences of foreign aid.”
In a conversation Friday,...
- 5/8/2021
- by Jennie Punter
- Variety - Film News
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