The source material is a bestseller. The cast is A-list. The director is British and celebrated, the cinematographer is French and aces, and the screenwriter is a Pulitzer-winning playwright. There is, on the surface, no reason to think that The Woman in the Window, the long-anticipated and even-longer-delayed adaptation of A.J. Finn’s 2018 prestige beach read, would not be the sort of movie designed to spike pulses whether you see it in theaters or at home on Netflix, on a plane or on a train, on a boat or with a goat.
- 5/14/2021
- by David Fear
- Rollingstone.com
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