Justin Kurzel’s Nitram left an indelible impression on critics following its premiere at Cannes Film Festival on Friday, with many singling out the film’s tone and performances for praise.
The pre-Port Arthur massacre portrait of perpetrator Martin Bryant – who is not named in the film – is the first Australian feature to screen in competition at the French festival since Julia Leigh’s Sleeping Beauty in 2011. In the same year, Kurzel’s debut Snowtown, about a series of murders committed in Adelaide between 1992-1999, screened in Critic’s Week.
Like Snowtown, Nitram is also based on true events and penned by Shaun Grant. However, the reviews that followed last week’s screening drew only broad stroke comparisons between the two films while commending Kurzel for his storytelling choices.
Writing for Variety, Jessica Kiang described Nitram as “ostensibly similar” to Snowtown, but noted the former represented “a far more mature...
The pre-Port Arthur massacre portrait of perpetrator Martin Bryant – who is not named in the film – is the first Australian feature to screen in competition at the French festival since Julia Leigh’s Sleeping Beauty in 2011. In the same year, Kurzel’s debut Snowtown, about a series of murders committed in Adelaide between 1992-1999, screened in Critic’s Week.
Like Snowtown, Nitram is also based on true events and penned by Shaun Grant. However, the reviews that followed last week’s screening drew only broad stroke comparisons between the two films while commending Kurzel for his storytelling choices.
Writing for Variety, Jessica Kiang described Nitram as “ostensibly similar” to Snowtown, but noted the former represented “a far more mature...
- 7/19/2021
- by Sean Slatter
- IF.com.au
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