“Chinatown doesn’t change for anybody,” says Jade Wu’s Dai Mah late in Evan Jackson Leong’s “Snakehead,” the kind of line that sounds like an intentional callback to 1974’s “Chinatown.” That’s not surprising, as so much of Leong’s long-time passion project plays like a tribute to the Old Masters of cinema. “Snakehead” doesn’t reinvent the wheel, but considering its all-Asian cast and bent toward chronicling women in power, there’s an air of something truly special to the crime drama, especially in Shuya Chang’s contemplative performance.
An opening title card tells us that for $50,000, Chinese immigrants can be sent to the United States, where they will be then forced into prostitution and other illegal jobs as a means of paying off the debt to the person who brought them, the eponymous “snakehead.” Sister Tse (Chang) is one such woman, working to survive in America...
An opening title card tells us that for $50,000, Chinese immigrants can be sent to the United States, where they will be then forced into prostitution and other illegal jobs as a means of paying off the debt to the person who brought them, the eponymous “snakehead.” Sister Tse (Chang) is one such woman, working to survive in America...
- 9/14/2021
- by Kristen Lopez
- Indiewire
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