The sections promise discoveries. They also underscore a reality. As art film pre-sales have plunged, public-sector equity financing has escalated, with producers tapping film funds around the world via international co-production. Wip Latam’s six films average four production partners a piece. Sales, which the films now seek in San Sebastian, is increasingly icing on the cake.
A drill down on titles:
“Daughter of Rage,” (“La Hija de Todas las Rabias,” Laura Baumeister, Nicaragua, Mexico, Nederland, Germany, France, Norway)
Nicaraguan Laura Baumeister’s stirring feature debut which swept three of the four prizes on offer at San Sebastian’s 2019 Europe-Latin America Co-production Forum. Since then it