Jon Keeyes’ siege drama paints a lawless future for American society, though endless flashbacks drain the tension
This postapocalyptic action thriller that posits a United States where nearly everyone has nearly been wiped out by the Delta variant of Covid-19 apparently went into post-production in December 2020. Presumably, they finished shooting just as the variant was emerging but before the vaccine went into wide distribution. At least that would explain why it feels so weirdly dated, even though it’s set in the future. In this version of America, things have got so out of control society has completely broken down. Who knows, maybe it’s not dated but predictive?
Anyway, in this bleak alternative reality, life is even worse than the one we’re in now. A young woman named Sarah (Ruby Modine) and her brother Guy (Tom Pecinka) are on the run, hoping to escape a gang of armed...
This postapocalyptic action thriller that posits a United States where nearly everyone has nearly been wiped out by the Delta variant of Covid-19 apparently went into post-production in December 2020. Presumably, they finished shooting just as the variant was emerging but before the vaccine went into wide distribution. At least that would explain why it feels so weirdly dated, even though it’s set in the future. In this version of America, things have got so out of control society has completely broken down. Who knows, maybe it’s not dated but predictive?
Anyway, in this bleak alternative reality, life is even worse than the one we’re in now. A young woman named Sarah (Ruby Modine) and her brother Guy (Tom Pecinka) are on the run, hoping to escape a gang of armed...
- 10/5/2021
- by Leslie Felperin
- The Guardian - Film News
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