I don’t remember George Franklin’s 1990 murder trial, one of the nation’s first to hinge almost exclusively on the phenomenon of repressed memory, but I absolutely remember when suddenly every broadcast procedural started having regular plotlines built around repressed memory.
Or maybe I don’t? Maybe I watched a repeat of L.A. Law — probably “I’m Ready for My Closeup, Mr. Markowitz,” from 1992 — and conflated that into recollections of countless similar episodes? Maybe I only read an episode description from that L.A. Law and was able to imagine the rest of the ...
Or maybe I don’t? Maybe I watched a repeat of L.A. Law — probably “I’m Ready for My Closeup, Mr. Markowitz,” from 1992 — and conflated that into recollections of countless similar episodes? Maybe I only read an episode description from that L.A. Law and was able to imagine the rest of the ...
- 10/9/2021
- The Hollywood Reporter - Film + TV
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