[Editor’s Note: The following interview contains spoilers for “Scenes From a Marriage,” including the ending.]
The scene was set, and the set was seen — rather prominently, in fact, throughout writer/director Hagai Levi’s remake of Ingmar Bergman’s “Scenes From a Marriage.” Each of the first four episodes began with behind-the-scenes shots of Jessica Chastain or Oscar Isaac as they prepared for the (primary) cameras to roll. Then, for the finale, we got to see the pair walk off the soundstage, holding hands, at the very end of the episode — a choice in direct contrast to how most episodes end, with detailed exterior shots of Jonathan and Mira’s house as it exists in reality, rather than how it’s been reconstructed for all those passionate, devastating, and thoughtful interior scenes
Among those moving domestic moments were plenty of further changes from Bergman’s 1973 miniseries-turned-movie. Levi saddled Jonathan (Oscar Isaac) with a similar narrative arc to what...
The scene was set, and the set was seen — rather prominently, in fact, throughout writer/director Hagai Levi’s remake of Ingmar Bergman’s “Scenes From a Marriage.” Each of the first four episodes began with behind-the-scenes shots of Jessica Chastain or Oscar Isaac as they prepared for the (primary) cameras to roll. Then, for the finale, we got to see the pair walk off the soundstage, holding hands, at the very end of the episode — a choice in direct contrast to how most episodes end, with detailed exterior shots of Jonathan and Mira’s house as it exists in reality, rather than how it’s been reconstructed for all those passionate, devastating, and thoughtful interior scenes
Among those moving domestic moments were plenty of further changes from Bergman’s 1973 miniseries-turned-movie. Levi saddled Jonathan (Oscar Isaac) with a similar narrative arc to what...
- 10/11/2021
- by Ben Travers
- Indiewire
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