Launched three decades ago as filmmaking was taking transformative steps away from celluloid and toward digital processes, Cinesite remains on course in creating digital visual effects and, more recently, feature animation.
A lot has changed since Eastman Kodak founded Cinesite in Los Angeles in 1991 as a VFX, digital restoration and mastering subsidiary based around its Cineon technology. Early Cinesite milestones included a pioneering digital restoration in 1992 of Disney’s Snow White and the Seven Dwarfs (1937) and digital color timing of O Brother, Where Art Thou? (2000), lensed by revered cinematographer Roger Deakins — among the first full features to involve what’s now known ...
A lot has changed since Eastman Kodak founded Cinesite in Los Angeles in 1991 as a VFX, digital restoration and mastering subsidiary based around its Cineon technology. Early Cinesite milestones included a pioneering digital restoration in 1992 of Disney’s Snow White and the Seven Dwarfs (1937) and digital color timing of O Brother, Where Art Thou? (2000), lensed by revered cinematographer Roger Deakins — among the first full features to involve what’s now known ...
- 10/12/2021
- The Hollywood Reporter - Film + TV
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